MONITORS/AMPLIFICATION

  • ATC scm25’s self powered British sensations, sometimes the big bucks pay off !

  • Amphion One 18s Nearfield Monitors, Oh my my my, Mixing Nirvana

  • Meyer HD-1sThe very first of self powered monitors in its field and still real contenders

  • JBL LSR-6332Full Range Midfields = Loud!

  • Yamaha NS-10'snear fields, yes they are in every studio in the planet so if you need em we got em

  • Vintage British Audiophile speakers in B Room

  • Auratones,

  • Advents   Home Bookshelf speakers from the 70’s, real balance checks on these, I LOVE these things

  • Bryston 4B-ST x 2 Pure Clean Amplification!

  • Ashley Mosfet 1000

  • Hafler P3000x 2, Hafler P-225 x 2

  • Macintosh 2200

  • Stewart

  • Crown D-75's x 3

  • Furman HP-6 personal Headphone systems x 6 (The clients LOVE their independence)

  • Headphones Various lobby listening environments with more stereos and speaker combos

GUITAR AMPS

  • 1962 Fender Bassman Blonde, the “best year” for Bassmans

  • 1964 Fender Princeton blackface,,12 watts of pure Fender tone

  • 1968 Fender Deluxe Drip Edge transition year (silverface outside, blackface inside)

  • 1968 Fender Pro Reverb Drip Edge (your hip now silver out, black in)

  • Fender VibroKingamazing 60wt combo 3x10 that I think tips the scales Tone(s) Supreme

  • Fender Blues Jr. smarty pants wannabe can make Rhodes pianos sound great

  • HiTone JP 30/15wt Jimmy Page Model HiWatt clone ,,Where was this amp all my life?!

  • HiTone DR504> Perfect clone of the venerable HiWatt 504 ,the most harmonic and muscular of the studio!

  • Victoria 20112 > perfect clone of the Neil Young Fender Tweed Deluxe,works on anything and everything

  • Naylor Super Drive 60, one of the earlier boutique amps that made everybody say WHOA!

  • Marshall 100w 1971 Super Lead / defining all the classic tones

  • Marshall 50w1973MK 2 Lead / more drive, less wall shaking

  • Marshall 50w1983 JMP 2x12" combo = up yours punk/metal

  • Marshall 20w2061x Handwired English Bulldog of tone

  • Marshall 18w1974x Handwired Li’l Bluesbreaker combo, tube rectifier glorious spongy saggy spunk

  • Ceriatone / Marshall JTM-45 Clone, ubercool especially with thebig glass KT66’s

  • 1974 Ampeg V-2 60w For Guitar OR Bass it delivers

  • 1973 Ampeg VT-40 = Rolling Stones 70's guitar sound

  • Ampeg Reverberocket Reissue = the secret weapon when all else fails!

  • Vox 1966 AC30 SuperTwin Trapezoid HeadThis Amp is a Religious Experience

  • Vox AC30 w/2 blue bulldog 12" speakers = history in your fingertips

  • Vox AC15baby AC30 sort of, actually way more versatile and gets a lot of use around here

  • Orange Tiny Terror, Le Enfant Terrible’ wtf?

  • 1964 Gipson Titan w/matching 2x12 cab 100wts of unique clean,grind and or grit

  • 1960 Vega tube amp = unreal rarity has the best of Tweeds with the heart of a Supro

  • Sears Silvertone tube amp "Champ" style

  • Soldano Hot Rod 50 = like its famous big brother The SLO this is a Hi-Gain Buzz

  • Mesa Boogie Lonestar 100 / 50 watt The “better Boogie”

  • Mesa Boogie Studio Pre-Amp with Mesa Boogie 20/20 Tube Power Amp

  • Roland JC-120 Jazz Chorus clean, shimmering, powerpop jangle or Mettalica Neo Classical

BASS AMPS

  • 1973 Ampeg B-15 flip top w/15" the classic workhorse

  • 1974 Ampeg B-15 flip top w/15", liked the first one so much I got another

  • 1971 Ampeg SVT 300w all tube masterpiece from Marley to Radiohead 1987

  • 1989 Ampeg SVT ll early 90’s = modern voices, more choices

  • Ampeg V4-b 100wt Bass version of the V4 lets you gather more sustain and drive if desired

  • Fender Bassman 135 early 80’s driving thunky chunky or deep bass tone

  • Gallien-Kruger 1000 astoundingly tube like, way watts!

  • Demeter Tube DI/Pre Amp which set the bar way high for the pure Tube meets Wood tone

  • Sans Amp RBI rack Bass DI/Pre Amp processor, amazingly more efficient that some of the Amps its emulating

  • Peavey all tube power amp tweaked to cleaner specs for pre-amp options